ECHOES: THE CHORAL MUSIC OF RICHARD STOEHR – Hosted by St. Michael’s College Fine Arts Department
Solaris joins musical forces with Counterpoint and Bella Voce choruses to showcase the rarely heard choral music of Richard Stoehr, a highly respected Viennese composer, author, and teacher. Forced by the Nazis to flee Austria in 1939, Stoehr continued his art at Saint Michael’s College (1941-1950), now the repository for his many works including seven symphonies, two operas, choral music, lieder, numerous chamber works and solo piano music, as well as half a dozen widely used textbooks. During his 50-year career as a teacher, his students included Herbert von Karajan, Erich Leinsdorf, Rudolf Serkin, Samuel Barber, Leonard Bernstein and Marlene Dietrich. Solaris, under its Artistic Director Dawn Willis, will perform Stoehr’s magnificent Crossing the Bar and The Great Adventurer. FREE admission.
SUNDAY, February 18, 2018, 3:00pm, McCarthy Arts Center at Saint Michael’s College (More Info Here) and (Here)
Wonderful comment posted online during one of our Holiday Lights concerts:
“We came to see our cousin sing, and have been sitting in rapt attention for the first half. We can’t wait for the second half! I don’t think there is any better compliment than a 10 year old and 12 year old exclaiming ‘This is awesome!’, and I agree.”
On the Holiday Lights program: three works that will be led by our Assistant Conductor, Frank Whitcomb.
THE LAMB is a sweetly lyrical ballad composed by Christopher Matthews and based on a text by William Blake. Blake’s recognizable text, “Little lamb, who made thee, dost thou know who made thee?” was published in 1776 in “Songs of Innocence.” Blake originally intended his work to be sung, but his musical text was lost. Matthews has set this with a tender hand, evocative of the child-like wonder Blake sought to portray.
THERE IS NO ROSE by Gary Garcia is based on the same text as Benjamin Britten used in his “Ceremony of Carols,” the rose referring to the Virgin Mary. Garcia’s modern setting is poignant and beautifully melodic. “There is no Rose of such virtue, as is the Rose that bare Jesu – “Res miranda, gaudeamus, transeamus, alleluia!”
In CAROL FROM AN IRISH CABIN, the lonely speaker, living high above the sea, hopes for a visitor to help welcome a white Christmas. The composer, Dale Wood, musically captures a Celtic spirit in this lovely piece.
More on Holiday Lights programming: This past summer, Dr. Willis had the opportunity to meet and speak to composer Eric Whitacre. She had been wanting to program his 1999 composition, “Lux Arumque” for some time, and this holiday concert is the time we will proudly present it! It has special meaning to Solaris, as our mission is the “bring light and meaning” to choral works.
Whitacre rose to viral notice through the phenomenon of his online Virtual Choir in 2010, but had been active as composer, conductor, innovator, broadcaster, and charismatic public speaker prior to that time, with his choral compositions ranking among the most popular and frequently performed of the early 21st century.
Whitacre sets the elegant simplicity of the Edward Esch text, that has been translated into Latin, through an extraordinary use of building, cascading human voices.
calida gravisque pura velut aurum (warm & heavy as pure gold)
et canunt angeli molliter (and the angels sing softly)
modo natum. (to the newborn babe.)
More on Holiday Lights programming: Solaris has celebrated the works of composer Randall Thompson a lot this year, and continues, with his American choral classic “The Best of Rooms.”
This piece, building as it does to a dramatic climax, features words from Christs Part (1647) by Robert Herrick.
Complete text:”Christ, He requires still, wheresoe’er He comes, To feed, or lodge, to have the best of rooms; Give Him the choice; grant Him the nobler part Of all the house: the best of all’s the heart.”
More on Holiday Lights programming:
Next on the concert is “Glora Tibi” from “Mass” by Leonard Bernstein, for female voices with tenor soloist Matt DeDiana. Dr. Willis and Frank Whitcomb chose this piece as a tie-in to our performance of Richard Stoehr’s works – Bernstein had been a student of Stoehr at the Curtis Institute in Philadelphia!
This snippet of Bernstein’s “Mass”, which he wrote for the 1971 opening of the Kennedy Center for the Performing Arts in Washington DC, is energetic, and typical of Bernstein’s compositional style. Driving, shifting rhythms and tonalities abound, a perfect counterpoint to the exultant text – “Glory to Thee, God.”
The tenor soloist represents the “Celebrant” or priest in the quite theatrical “Mass,” leading his congregants to respond in joyful kind.
Please read previous posts to learn more about the programming for Holiday Lights.
We are all wishing you a very Happy Thanksgiving! From Turkey Day it’s only 22 days to our first Holiday Lights concert!