More on Holiday Lights programming: This past summer, Dr. Willis had the opportunity to meet and speak to composer Eric Whitacre. She had been wanting to program his 1999 composition, “Lux Arumque” for some time, and this holiday concert is the time we will proudly present it! It has special meaning to Solaris, as our mission is the “bring light and meaning” to choral works.
Whitacre rose to viral notice through the phenomenon of his online Virtual Choir in 2010, but had been active as composer, conductor, innovator, broadcaster, and charismatic public speaker prior to that time, with his choral compositions ranking among the most popular and frequently performed of the early 21st century.
Whitacre sets the elegant simplicity of the Edward Esch text, that has been translated into Latin, through an extraordinary use of building, cascading human voices.
calida gravisque pura velut aurum (warm & heavy as pure gold)
et canunt angeli molliter (and the angels sing softly)
modo natum. (to the newborn babe.)
More on Holiday Lights programming: Solaris has celebrated the works of composer Randall Thompson a lot this year, and continues, with his American choral classic “The Best of Rooms.”
This piece, building as it does to a dramatic climax, features words from Christs Part (1647) by Robert Herrick.
Complete text:”Christ, He requires still, wheresoe’er He comes, To feed, or lodge, to have the best of rooms; Give Him the choice; grant Him the nobler part Of all the house: the best of all’s the heart.”
More on Holiday Lights programming:
Next on the concert is “Glora Tibi” from “Mass” by Leonard Bernstein, for female voices with tenor soloist Matt DeDiana. Dr. Willis and Frank Whitcomb chose this piece as a tie-in to our performance of Richard Stoehr’s works – Bernstein had been a student of Stoehr at the Curtis Institute in Philadelphia!
This snippet of Bernstein’s “Mass”, which he wrote for the 1971 opening of the Kennedy Center for the Performing Arts in Washington DC, is energetic, and typical of Bernstein’s compositional style. Driving, shifting rhythms and tonalities abound, a perfect counterpoint to the exultant text – “Glory to Thee, God.”
The tenor soloist represents the “Celebrant” or priest in the quite theatrical “Mass,” leading his congregants to respond in joyful kind.
Please read previous posts to learn more about the programming for Holiday Lights.
We are all wishing you a very Happy Thanksgiving! From Turkey Day it’s only 22 days to our first Holiday Lights concert!
Continuing on with more about our Holiday Lights concerts programming:
We will present two pieces by Richard Stoehr – A Grace for Christmas, and Ave Maria.
If you have been following us for long, you will have seen that Solaris, through Dr. Willis and Dr. Summerfield has made a connection to the music of Stöhr. He was a well-respected composer and teacher in Vienna, Austria prior to WWII, but was forced to flee Europe by the Nazis. During the Anschluss in March 1938 Stöhr had been immediately identified by Nazi officials as a Jew and fired from his position at the Vienna Academy of Music.
In 1939, he emigrated to the United States, and took a position at Curtis Institute of Music in Philadelphia (here using the spelling Stoehr). When the war caused Curtis to downsize, Stoehr was out of a position, but quickly found another in Vermont at Saint Michael’s College, where he taught German and also music courses.
He continued at Saint Michael’s until his retirement in 1950 – he also continued to compose prolifically. However, none of his U.S. compositions were published. Saint Michael’s serves as the repository of those works, spanning all genres of music except opera.
During his 50 year career as a teacher his students numbered in the thousands and included Herbert von Karajan, Erich Leinsdorf, Rudolf Serkin, Samuel Barber, Leonard Bernstein and Marlene Dietrich. Richard Stoehr died in December, 1967 in Montpelier, Vermont and is buried in Merrill Cemetery in Colchester. More: http://www.richardstoehr.com/saint-michaels-college-the-1940s/
His charming A Grace for Christmas features soloist Brianne Keith, and his setting of Ave Maria features the entire men’s section with tenor soloist David Tetrault.